Born in Russia, Kira Parfeevets is a pianist and a vocal coach who has a very active career in France as well as abroad. She is a graduate of the Academy of Music in Minsk (Belarus) where she obtained Master's Degree in piano performance, accompaniment, and chamber music. She then perfected her skills at the Centre de Formation Lyrique of the Paris National Opera House. She was fortunate to work there with Janine Reiss and Irene Aitoff, two true legends of the art of accompaniments. Since then, her passion for voice has become her principal work and she shares her activities between opera productions, linguistic coaching, and recitals. 

Mrs.Parfeevets was quickly noted during her performances at the Paris Opera and was invited by the main Opera Houses all over the country for the musical studies of Italian, French, and Russian lyric works. Among those theaters are the Grand Théâtre of Bordeaux, the Capitole of Toulouse, the Opera of Nice, the Opera-Theater of Avignon, the Stanislavsky Theater of Moscow, the Alfredo Kraus Festival of Las Palmas de Gran Canaria, the Festival of Aix-en-Provence, the National Opera of Paris, and the Opera House of Monte Carlo. Mrs.Parfeevets was invited at Chorégies d'Orange for the past fifteen years to present time. 

She has worked alongside the greatest conductors such as M.Plasson, K. Mazur, A. Zedda, M.W Chung, P. Steinberg, E. Pido, Y. Sado, A. Altinoglu, R. Rizzi-Brignoli, J. Lopez-Cobos, G. Noseda, and G. Pretre among others. 

In 2013, Mrs.Parfeevets fully translated the Russian opera, "The Diary of Anne Frank" (opera-monodrama by Grigory Fried) to French for the Opéra-Théâtre of Metz. 

Appreciated for her attentive listening and her wise advice, she is in high demand by many top singers of our time, such as Inva Mula, Sonya Yoncheva, Roberto Alagna, Ruggero Raimond, and Placido Domingo. 

Mrs.Parfeevets’s concert appearances include numerous exceptional performance venues such as the Salle Gaveau, the Musée d'Orsay, the Amphitheater of the Paris Opera, the Palazzo Farnese in Rome, the Teatro Massimo in Palermo, the Dubrovnik Festival, the Lisinski Concert Hall in Zagreb, the Festival Vladimir Spivakov in Colmar, the Rainier III Auditorium in Monaco, and the St Petersburg Philharmonie. 

In addition, working with young singers is an important part of her career. She conducted workshops and masterclasses at the Lyric Training Center at the Paris National Opera, the Queen Elisabeth Music Chapel in Belgium, the Young Voices of the Rhine Workshop in Colmar, the Opera Overture program in California and for the New Opera World in Moscow. In 2014, Mrs. Parfeevets was invited by Michel Plasson when he created the International Academy of French Music. The mission of this Academy is to allow young artists to deepen their knowledge of musical art and French style. She returns there regularly alongside artists including José Van Dam, Natalie Dessay, Françoise Pollet, and Sophie Koch. For the past several years until now, Mrs.Parfeevets is an artistic director of the Academy of Young Singers at the Opera of Monte-Carlo.